Lemanic

Feel free to type, test, observe and explore Lemanic!

We hope that our website gives you a glimpse of a future where type design fully embraces digital. Of course, this is just the beginning, and we are just two explorers finding our way in a new world of type, deeply passionate about creating a new type family. We believe that our website demonstrates the passion we have for our work, through typefaces, work in progress, and experimentation. Going forward, we will continue our prototyping processes, explore more languages and graphic territories, and transpose our new family of fonts into interfaces, layouts and visual universes. You can browse through the project here: lo-ol.design

We hope that our website gives you a glimpse of a future where type design fully embraces digital. Of course, this is just the beginning, and we are just two explorers finding our way in a new world of type, deeply passionate about creating a new type family. We believe that our website demonstrates the passion we have for our work, through typefaces, work in progress, and experimentation. Going forward, we will continue our prototyping processes, explore more languages and graphic territories, and transpose our new family of fonts into interfaces, layouts and visual universes. You can browse through the project here: lo-ol.design

We hope that our website gives you a glimpse of a future where type design fully embraces digital. Of course, this is just the beginning, and we are just two explorers finding our way in a new world of type, deeply passionate about creating a new type family. We believe that our website demonstrates the passion we have for our work, through typefaces, work in progress, and experimentation. Going forward, we will continue our prototyping processes, explore more languages and graphic territories, and transpose our new family of fonts into interfaces, layouts and visual universes. You can browse through the project here: lo-ol.design

We hope that our website gives you a glimpse of a future where type design fully embraces digital. Of course, this is just the beginning, and we are just two explorers finding our way in a new world of type, deeply passionate about creating a new type family. We believe that our website demonstrates the passion we have for our work, through typefaces, work in progress, and experimentation. Going forward, we will continue our prototyping processes, explore more languages and graphic territories, and transpose our new family of fonts into interfaces, layouts and visual universes. You can browse through the project here: lo-ol.design

The Lemanic family started in 2013, with the idea of merging the ideas of Pierre-Simon Fournier with the classic Romain du Roi typeface.

The Lemanic family started in 2013, with the idea of merging the ideas of Pierre-Simon Fournier with the classic Romain du Roi typeface.

The Lemanic family started in 2013, with the idea of merging the ideas of Pierre-Simon Fournier with the classic Romain du Roi typeface.

The Lemanic family started in 2013, with the idea of merging the ideas of Pierre-Simon Fournier with the classic Romain du Roi typeface.

The Lemanic family started in 2013, with the idea of merging the ideas of Pierre-Simon Fournier with the classic Romain du Roi typeface.

The Lemanic family started in 2013, with the idea of merging the ideas of Pierre-Simon Fournier with the classic Romain du Roi typeface.

The Lemanic family started in 2013, with the idea of merging the ideas of Pierre-Simon Fournier with the classic Romain du Roi typeface.

The Lemanic family started in 2013, with the idea of merging the ideas of Pierre-Simon Fournier with the classic Romain du Roi typeface.

The Lemanic family started in 2013, with the idea of merging the ideas of Pierre-Simon Fournier with the classic Romain du Roi typeface.

The Lemanic family started in 2013, with the idea of merging the ideas of Pierre-Simon Fournier with the classic Romain du Roi typeface.

Over time, the project grew into a dual family—divided between a robust, almost slab, ‘text’ version, and a sharper, more elegant display version whose appearance is more appropriate for titles.

Over time, the project grew into a dual family—divided between a robust, almost slab, ‘text’ version, and a sharper, more elegant display version whose appearance is more appropriate for titles.

Over time, the project grew into a dual family—divided between a robust, almost slab, ‘text’ version, and a sharper, more elegant display version whose appearance is more appropriate for titles.

Over time, the project grew into a dual family—divided between a robust, almost slab, ‘text’ version, and a sharper, more elegant display version whose appearance is more appropriate for titles.

Over time, the project grew into a dual family—divided between a robust, almost slab, ‘text’ version, and a sharper, more elegant display version whose appearance is more appropriate for titles.

Over time, the project grew into a dual family—divided between a robust, almost slab, ‘text’ version, and a sharper, more elegant display version whose appearance is more appropriate for titles.

Over time, the project grew into a dual family—divided between a robust, almost slab, ‘text’ version, and a sharper, more elegant display version whose appearance is more appropriate for titles.

Over time, the project grew into a dual family—divided between a robust, almost slab, ‘text’ version, and a sharper, more elegant display version whose appearance is more appropriate for titles.

Over time, the project grew into a dual family—divided between a robust, almost slab, ‘text’ version, and a sharper, more elegant display version whose appearance is more appropriate for titles.

Over time, the project grew into a dual family—divided between a robust, almost slab, ‘text’ version, and a sharper, more elegant display version whose appearance is more appropriate for titles.

Lemanic Regular

Lemanic embraces a transitional style, by merging different influences.

Lemanic embraces a transitional style, by merging different influences.

Lemanic embraces a transitional style, by merging different influences.

Lemanic embraces a transitional style, by merging different influences.

Lemanic embraces a transitional style, by merging different influences.

Lemanic embraces a transitional style, by merging different influences.

Lemanic embraces a transitional style, by merging different influences.

Lemanic embraces a transitional style, by merging different influences.

Lemanic embraces a transitional style, by merging different influences.

Lemanic embraces a transitional style, by merging different influences.

It has a subtly inclined axis which gives a more calligraphic aspect, while its overall proportion is slightly condensed, reflecting its original purpose: magazine and newspaper print.

It has a subtly inclined axis which gives a more calligraphic aspect, while its overall proportion is slightly condensed, reflecting its original purpose: magazine and newspaper print.

It has a subtly inclined axis which gives a more calligraphic aspect, while its overall proportion is slightly condensed, reflecting its original purpose: magazine and newspaper print.

It has a subtly inclined axis which gives a more calligraphic aspect, while its overall proportion is slightly condensed, reflecting its original purpose: magazine and newspaper print.

It has a subtly inclined axis which gives a more calligraphic aspect, while its overall proportion is slightly condensed, reflecting its original purpose: magazine and newspaper print.

It has a subtly inclined axis which gives a more calligraphic aspect, while its overall proportion is slightly condensed, reflecting its original purpose: magazine and newspaper print.

It has a subtly inclined axis which gives a more calligraphic aspect, while its overall proportion is slightly condensed, reflecting its original purpose: magazine and newspaper print.

It has a subtly inclined axis which gives a more calligraphic aspect, while its overall proportion is slightly condensed, reflecting its original purpose: magazine and newspaper print.

It has a subtly inclined axis which gives a more calligraphic aspect, while its overall proportion is slightly condensed, reflecting its original purpose: magazine and newspaper print.

It has a subtly inclined axis which gives a more calligraphic aspect, while its overall proportion is slightly condensed, reflecting its original purpose: magazine and newspaper print.

The family’s italics are disconnected from (and therefore in contrast to) their upright counterpart, maintaining a unique and independent look—in italic, Lemanic is playful and has a dynamic pattern.

The family’s italics are disconnected from (and therefore in contrast to) their upright counterpart, maintaining a unique and independent look—in italic, Lemanic is playful and has a dynamic pattern.

The family’s italics are disconnected from (and therefore in contrast to) their upright counterpart, maintaining a unique and independent look—in italic, Lemanic is playful and has a dynamic pattern.

The family’s italics are disconnected from (and therefore in contrast to) their upright counterpart, maintaining a unique and independent look—in italic, Lemanic is playful and has a dynamic pattern.

The family’s italics are disconnected from (and therefore in contrast to) their upright counterpart, maintaining a unique and independent look—in italic, Lemanic is playful and has a dynamic pattern.

The family’s italics are disconnected from (and therefore in contrast to) their upright counterpart, maintaining a unique and independent look—in italic, Lemanic is playful and has a dynamic pattern.

The family’s italics are disconnected from (and therefore in contrast to) their upright counterpart, maintaining a unique and independent look—in italic, Lemanic is playful and has a dynamic pattern.

The family’s italics are disconnected from (and therefore in contrast to) their upright counterpart, maintaining a unique and independent look—in italic, Lemanic is playful and has a dynamic pattern.

The family’s italics are disconnected from (and therefore in contrast to) their upright counterpart, maintaining a unique and independent look—in italic, Lemanic is playful and has a dynamic pattern.

The family’s italics are disconnected from (and therefore in contrast to) their upright counterpart, maintaining a unique and independent look—in italic, Lemanic is playful and has a dynamic pattern.

The whole family currently has two further variables: weight and optical size (in both text and display versions).

The whole family currently has two further variables: weight and optical size (in both text and display versions).

The whole family currently has two further variables: weight and optical size (in both text and display versions).

The whole family currently has two further variables: weight and optical size (in both text and display versions).

The whole family currently has two further variables: weight and optical size (in both text and display versions).

The whole family currently has two further variables: weight and optical size (in both text and display versions).

The whole family currently has two further variables: weight and optical size (in both text and display versions).

The whole family currently has two further variables: weight and optical size (in both text and display versions).

The whole family currently has two further variables: weight and optical size (in both text and display versions).

The whole family currently has two further variables: weight and optical size (in both text and display versions).

The overall project is seen as a toolbox to create dynamic, elegant and modern page layouts.

The overall project is seen as a toolbox to create dynamic, elegant and modern page layouts.

The overall project is seen as a toolbox to create dynamic, elegant and modern page layouts.

The overall project is seen as a toolbox to create dynamic, elegant and modern page layouts.

The overall project is seen as a toolbox to create dynamic, elegant and modern page layouts.

The overall project is seen as a toolbox to create dynamic, elegant and modern page layouts.

The overall project is seen as a toolbox to create dynamic, elegant and modern page layouts.

The overall project is seen as a toolbox to create dynamic, elegant and modern page layouts.

The overall project is seen as a toolbox to create dynamic, elegant and modern page layouts.

The overall project is seen as a toolbox to create dynamic, elegant and modern page layouts.

Here you will find a few visuals we've created to display the potential usages of the typeface. We used those in different setups, but the best way will probably be yours.

Discover

Family packages

Here you have the three packages of our type family. In our shop you can define the usage between web, print or both of those. Feel free to see and compare the content of each packages

Text Thin +italic

Text Light +italic

Text Regular +italic

Text Book +italic

Text Medium +italic

Text SemiBold +italic

Text Bold +italic

Text ExtraBold +italic

Text Black +italic

Display Thin +italic

Display Light +italic

Display Regular +italic

Display Book +italic

Display Medium +italic

Display SemiBold +italic

Display Bold +italic

Display ExtraBold +italic

Display Black +italic

Character set

You will find below a few glyphs which were drawn for the current version. If you wish to see all of the glyphs and features, please download the Specimen down below.

Letters Hangeul Figures Symbols

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

Y

Z

a

b

c

d

e

f

g

h

i

j

k

l

m

n

o

p

q

r

s

t

u

v

w

x

y

z

Download
specimen

Font info

Complete Typeface
4 families(Text, Display, Text Italic, Display Italic), 36 styles

Current Version
V 0.1 (2021)

Alphabets Included
Latin

Character Sets
Roman: 555 glyphs
Italic: 555 glyphs

Desktop Format
OTF

Web Format
WOFF, WOFF2, TTF

Designers
lo-ol type foundry (Loris Olivier, Noheul Lee)

Font Engineering
Jan Charvát

Language support

Acheron, Achinese, Achuar-Shiwiar, Afar, Afrikaans, Aguaruna, Amahuaca, Amarakaeri, Amis, Andaandi Dongolawi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Atayal, Balinese, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Bata…

Latin: Base version

V. 0.1

This first version includes around 500 glyphs that covers Latin extended, figures and some arrows.

Lemanic

Powerful headline with a strong visual voice!

The Lemanic family started in 2013, with the idea of merging the ideas of Pierre-Simon Fournier with the classic Romain du Roi typeface. Over time, the project grew into a dual family—divided between a robust, almost slab, ‘text’ version, and a sharper, more elegant display version whose appearance is more appropriate for titles.