Ortank
Feel free to type, test, observe and explore Ortank!
size
70
opsz
100
weight
400
italic
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Ortank

We hope that our website gives you a glimpse of a future where type design fully embraces digital. Of course, this is just the beginning, and we are just two explorers finding our way in a new world of type, deeply passionate about creating a new type family. We believe that our website demonstrates the passion we have for our work, through typefaces, work in progress, and experimentation. Going forward, we will continue our prototyping processes, explore more languages and graphic territories, and transpose our new family of fonts into interfaces, layouts and visual universes. You can browse through the project here: lo-ol.design
We hope that our website gives you a glimpse of a future where type design fully embraces digital. Of course, this is just the beginning, and we are just two explorers finding our way in a new world of type, deeply passionate about creating a new type family. We believe that our website demonstrates the passion we have for our work, through typefaces, work in progress, and experimentation. Going forward, we will continue our prototyping processes, explore more languages and graphic territories, and transpose our new family of fonts into interfaces, layouts and visual universes. You can browse through the project here: lo-ol.design
Ortank Thin
weight
100
At its essence, Ortank explores the confines of geometric shapes.
At its essence, Ortank explores the confines of geometric shapes.
At its essence, Ortank explores the confines of geometric shapes.
At its essence, Ortank explores the confines of geometric shapes.
At its essence, Ortank explores the confines of geometric shapes.
At its essence, Ortank explores the confines of geometric shapes.
At its essence, Ortank explores the confines of geometric shapes.
At its essence, Ortank explores the confines of geometric shapes.
At its essence, Ortank explores the confines of geometric shapes.
At its essence, Ortank explores the confines of geometric shapes.
Ortank Light
weight
300
Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style.
Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style.
Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style.
Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style.
Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style.
Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style.
Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style.
Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style.
Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style.
Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style.
Ortank Regular
weight
400
The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content.
The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content.
The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content.
The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content.
The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content.
The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content.
The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content.
The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content.
The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content.
The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content.
Ortank Medium
weight
600
Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort.
Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort.
Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort.
Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort.
Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort.
Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort.
Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort.
Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort.
Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort.
Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort.
Ortank Bold
weight
700
The moment of magic occurs when using the display weight, where we have embraced a digitally radical approach:
The moment of magic occurs when using the display weight, where we have embraced a digitally radical approach:
The moment of magic occurs when using the display weight, where we have embraced a digitally radical approach:
The moment of magic occurs when using the display weight, where we have embraced a digitally radical approach:
The moment of magic occurs when using the display weight, where we have embraced a digitally radical approach:
The moment of magic occurs when using the display weight, where we have embraced a digitally radical approach:
The moment of magic occurs when using the display weight, where we have embraced a digitally radical approach:
The moment of magic occurs when using the display weight, where we have embraced a digitally radical approach:
The moment of magic occurs when using the display weight, where we have embraced a digitally radical approach:
The moment of magic occurs when using the display weight, where we have embraced a digitally radical approach:
Ortank Black
weight
900
We have taken Ortank’s extreme sharpness and applied it in a unique way for each of member of the type family.
We have taken Ortank’s extreme sharpness and applied it in a unique way for each of member of the type family.
We have taken Ortank’s extreme sharpness and applied it in a unique way for each of member of the type family.
We have taken Ortank’s extreme sharpness and applied it in a unique way for each of member of the type family.
We have taken Ortank’s extreme sharpness and applied it in a unique way for each of member of the type family.
We have taken Ortank’s extreme sharpness and applied it in a unique way for each of member of the type family.
We have taken Ortank’s extreme sharpness and applied it in a unique way for each of member of the type family.
We have taken Ortank’s extreme sharpness and applied it in a unique way for each of member of the type family.
We have taken Ortank’s extreme sharpness and applied it in a unique way for each of member of the type family.
We have taken Ortank’s extreme sharpness and applied it in a unique way for each of member of the type family.
Here you will find a few visuals we've created to display the potential usages of the typeface. We used those in different setups, but the best way will probably be yours.
Here you will find a few visuals we've created to display the potential usages of the typeface. We used those in different setups, but the best way will probably be yours.
Discover

Family packages

Here you have the three packages of our type family. In our shop you can define the usage between web, print or both of those. Feel free to see and compare the content of each packages

  • Text Thin +italic
  • Text ExtraLight +italic
  • Text Light +italic
  • Text Regular +italic
  • Text Medium +italic
  • Text SemiBold +italic
  • Text Bold +italic
  • Text ExtraBold +italic
  • Text Black +italic
  • Display Thin +italic
  • Display ExtraLight +italic
  • Display Light +italic
  • Display Regular +italic
  • Display Medium +italic
  • Display SemiBold +italic
  • Display Bold +italic
  • Display ExtraBold +italic
  • Display Black +italic

    • Character set

    You will find below a few glyphs which were drawn for the current version. If you wish to see all of the glyphs and features, please download the Specimen down below.

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    Download specimen
    Font info

    Complete Typeface
    4 families(Text, Display, Text Italic, Display Italic), 36 styles

    Current Version
    V 0.1 (2021)

    Alphabets Included
    Latin

    Character Sets
    Roman: 465 glyphs
    Italic: 465 glyphs

    Desktop Format
    OTF

    Web Format
    WOFF, WOFF2, TTF

    Designer
    lo-ol type foundry (Loris Olivier, Noheul Lee)
    Arthur Schwartz

    Font Engineering
    Jan Charvát

    Language support

    Acheron, Achinese, Achuar-Shiwiar, Afar, Afrikaans, Aguaruna, Amahuaca, Amarakaeri, Amis, Andaandi Dongolawi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Atayal, Balinese, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Bata…

    Latin: Base version
    V. 0.1

    This first version includes around 500 glyphs that covers Latin extended, figures and some arrows.

    Ortank

    Hard and round amalgam of type

    At its essence, Ortank explores the confines of geometric shapes. Its goal is to ally the radically simple with some classical influence, coming from the lineale grotesque style. The typeface offers a set of letters which are readable in large paragraph format and other kinds of dense content. Its unique shapes (such as the ‘n’ and ‘u’) maintain legibility on a small scale without causing discomfort.

    Designers
    Noheul Lee
    Loris Olivier
    Arthur Schwarz
    Engineer
    Jan Charvat
    Fuzar Superheat